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다국어 초록 (Multilingual Abstract)

This paper investigates the korean characteristics, symbolism, working background, types and periods expressed in the portrait of Yi Dynasty.
Korean portrait has been expressed by an instinctive expression from the prehistoric age and as a pictorial meaning it was expressed through the wall painting of an old tomb in Komyo of the period of three kingdoms, and the portrait of Yi Dynasty was based on the production of portrait by color dictionary in the Unified shilla and the development of painting for Taoist hermit with supernatural powers according to the voguo of Buddhism and Taoism. in Koryo age.
Yi Dynasty can be divided into three periods as following :
The early period was mainly centered around the portrait expression by Ideology for Confusion Discourse and prevailed Idea for Skill Cheap-Treated by class consciousness.
In the middle period, positivism though was risen by disorder of society due to two great wars and the people consciousness was begun to develop, and the portrait developed by the introduction of western painting technique was prevalent.
The late period showed the character painting as a genre painting and caricature that have strong popular and koren originality with actual scene landscaps by Jung, Hwan(1676-1759)and the participation degree of common people for painting became high, and so it showed pictorial symbolic beauty in the character expression.
As a result, the portrait in Yi Dynasty presents folk, popular and original painting modes thanks to exploitation and development of subjects as the korean meaning
Therefore, this study is to review the above mentioned characteristics, to examine a new understanding about the traditionality of korean painting and symbolism of character expression in the painting of Yi Dynasty, and to explain how did Yi Dynasty's painting influence our modern korean portrait. Also this study investigates the history of portrait and Yi Dynasty's portrait, analyzes the symbolism of character expression through the background of the times by types and explains the characteristics of their symbolic meanings.

목차 (Table of Contents)

목차 = ⅰ
ABSTRACT = ⅱ
Ⅰ. 序論 = 1
Ⅱ. 人物畵의 形成및 時代的狀況展開 = 4
1. 人物畵의 歷史와 一般繪畵의 胎動 = 4

목차 = ⅰ
ABSTRACT = ⅱ
Ⅰ. 序論 = 1
Ⅱ. 人物畵의 形成및 時代的狀況展開 = 4
1. 人物畵의 歷史와 一般繪畵의 胎動 = 4
2. 朝鮮朝繪畵의 時代的背景 = 8
3. 朝鮮朝의 人物畵 = 11
Ⅲ. 韓國人物畵의 象徵性 = 14
1. 風俗畵의 諷刺的人物畵 = 16
2. 韓國肖像畵의 象徵性 = 20
3. 道釋人物畵의 宗敎的意味와 象徵性 = 23
4. 民畵에 나타나는 人物表現의 象徵性 = 25
Ⅳ. 結論 = 27
參考文獻 = 29
圖版目錄 = 31
圖版 = 33

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해외전자자료

朝鮮朝人物畵의 象徵性硏究

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상세검색

RISS 보유자료

상세검색

해외전자자료

朝鮮朝 人物畵의 象徵性 硏究

부가정보

분석정보

연관 공개강의(KOCW)

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나만을 위한 추천자료

朝鮮朝人物畵의 象徵性硏究