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      『고려사』 『악지』 소재 당악과 속악의 영향론적 탐구와 속악가사의 독자성 = Relations of Dangak and Sokak, and Proprietary Nature of Sokak Gasa in “Akji” of Goryeosa

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      https://www.riss.kr/link?id=A100562169

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      다국어 초록 (Multilingual Abstract)

      The Sokak article in “Akji” of Goryeosa was illustrated being aware of the Dangak article, which was a result that Goryeo Sokak was changed by an influence of Dangak. The similar number of the Goryeo Sokak article was registered as much as that of...

      The Sokak article in “Akji” of Goryeosa was illustrated being aware of the Dangak article, which was a result that Goryeo Sokak was changed by an influence of Dangak. The similar number of the Goryeo Sokak article was registered as much as that of Jungjae’s Changsha and Gasa in response to Daegok and Sa of Dangak. Sokak Jungjae was recorded in Holgi like Daegok of Dangak was illustrated as Mudoholgi, and such a trace could be found in a part of Sokak because melody and lyrics of Dangak had various corresponding aspects. Some contents of Dangak and Sokak had ‘political’ songs like blessing because they were both songs of ‘royal court.’ As such, it was confirmed that the Sokak and Dangak articles in Akji of Goryeosa kept close relations between them.
      Even though Goryeo Sokak was changed by influence of Dangak, independent character of Goryeo could be noticed. The first one is that different from Dangak Gasa, Goryeo Sokak had a free poetic form and chorus·refrain phrase. A song, even a short term one, did not have the same poetic form, and there was no song with same verse in the case of extended style. And, chorus·refrain phrase which played a role to heighten the interest was the formal characteristics retained by Sokak. This was the result of efficient utilization of our mother language [or poetic grammar] and folk songs subject to flexibility of Sokak. The second one is there were many songs forming balance between lord and vassal as well as mutual tension rather than only singing one-sided blessing to the lord. This shows feast songs did not limited to the objective of momentary entertainment but had characteristics of court literature for continuous savor.
      Like this, Goryeo Sokak maintained its own identity without leaning to Dangak; and, Goryeo and Joseon maximized the effective value from the diplomatic and cultural aspect utilizing Dangak fully.

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. 당악가사
      • Ⅲ. 속악가사
      • Ⅳ. 고려 속악가사의 독자적 의미
      • Ⅴ. 결론
      • Ⅰ. 서론
      • Ⅱ. 당악가사
      • Ⅲ. 속악가사
      • Ⅳ. 고려 속악가사의 독자적 의미
      • Ⅴ. 결론
      • Works Cited
      • Abstract
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      참고문헌 (Reference)

      1 "태종실록(太宗實錄)"

      2 Choi, Ryunghum, "북리지·교방기" 소명출판 225-255, 2013

      3 심상욱, "동서문학/문화비교 연구: 다원론적 접근" 한국동서비교문학학회 (28) : 173-191, 2013

      4 윤국일, "경국대전(經國大典)" 신서원 1998

      5 Kim, Myungjoon, "Transmission and diffusion of Goryeosokyo" Bogosa 32-40, 2013

      6 Huh, Seuk, "The History of Literature of Chinese Classical" Pummunsa 453-, 1999

      7 Sung, Kyungrin, "The Dance of Korean" SejonDeawongginyemsauphwe 87-92, 1976

      8 Yoo, Byungrye, "Songsa, Song for Poet" Chunjiin 271-, 2009

      9 "SongSa.[『송사(宋史)』.]"

      10 Song, Bangsong, "Korea Music History" Minsokwon 158-172, 2007

      1 "태종실록(太宗實錄)"

      2 Choi, Ryunghum, "북리지·교방기" 소명출판 225-255, 2013

      3 심상욱, "동서문학/문화비교 연구: 다원론적 접근" 한국동서비교문학학회 (28) : 173-191, 2013

      4 윤국일, "경국대전(經國大典)" 신서원 1998

      5 Kim, Myungjoon, "Transmission and diffusion of Goryeosokyo" Bogosa 32-40, 2013

      6 Huh, Seuk, "The History of Literature of Chinese Classical" Pummunsa 453-, 1999

      7 Sung, Kyungrin, "The Dance of Korean" SejonDeawongginyemsauphwe 87-92, 1976

      8 Yoo, Byungrye, "Songsa, Song for Poet" Chunjiin 271-, 2009

      9 "SongSa.[『송사(宋史)』.]"

      10 Song, Bangsong, "Korea Music History" Minsokwon 158-172, 2007

      11 Song, Bangsong, "Korea Medieval Society of Music Culture" Korea National University of Arts 170-180, 2001

      12 Oh, Wungwha, "Introduction to Dangsonsa" Gemyung Univ 149-, 1991

      13 Kim, Hakjoo, "Introduction to Chinese Literature" Shinasa 212-, 1977

      14 DongA Univ., "Goryeosa"

      15 "DeaAkHuBo.『대악후보(大樂後譜)』"

      16 Yang, Inliu, "Chinese ancient Music History" Sol 1999

      17 Lee, Hye Goo, "AkHakGweBum" KukAkWon 2000

      18 Pak, Joongyu, "A Study on Goryrogayo" Jouneumsa 1982

      19 Pak, Nohjoon, "A Study on Goryeosokyo" Saemunsa 25-31, 1990

      20 Pak, Eeuok, "A Study on Dangak in Goryeosa Akji" Minsokwon 22-26, 2006

      21 Cha, Joowhan, "A Study on Dangak" Bumhakdoseo 15-18, 1976

      22 Kim, Qweduk, "A Study On City Council Background of Goryeosokyo" Kukhakjarowon 117-144, 2001

      23 Kim, Myungjoon, "A Study On Akjanggasa" Daunsaem 259-264, 2004

      24 Joo, jomo, "300 pieces of Songsa" Munkakgwajisungsa 692-693, 2011

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      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.56 0.56 0.55
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.5 0.45 1.007 0.18
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